Vol. 9 No. 2 (2024): Abstraction, Analysis and Synthesis of an Operating Principle. Around and Beyond the Season of Analytical Painting

Edited by Elena Di Raddo, Kevin McManus and Francesco Tedeschi

Published: 2026-03-17

Editorial

Abstraction: analysis and synthesis of an operative principle (or a referential model). Around and beyond the season of analytical painting

Kevin McManus

I-IV
- PDF (Italiano)

Articles

Dietro le quinte di Geplante Malerei (1974): il contesto internazionale e la genesi della mostra

Andrea Daffra, Paola Valenti

1-26
- PDF (Italiano)
Eugenio Carmi: the return to painting in the Seventies and beyond

Federica Boragina

27-46
- PDF (Italiano)
Enrico Castellani and the 1972-1973 experiments: grid, decentralisation and transparency in Lavagna and Topologema

Michele Giuliano Cipolla

47-72
- PDF (Italiano)
From the «occasion of colour» to «absolute space»: the madness of painting. Michele Cossyro (1970-1985)

Elisa Francesconi

73-98
- PDF (Italiano)
Abstraction and Memory in the 1980s in Italy. The “Astrazione Povera” Case

Maria Vittoria Maiello

99-124
- PDF (Italiano)
«Interventi davanti alle opere»: the psychology of perception engages with Abstract Art

Marta Previti

125-148
- PDF (Italiano)
«Abstraction as...»: Amy Sillman’s critical practice between Abstract Painting and short-form essay writing

Alessandro Ferraro

149-177
- PDF (Italiano)
Redefined Surfaces: Gesture, Materiality, and Process in Contemporary Textile Abstraction

Giorgia Carlomagno

178-195
- PDF (Italiano)
Cast-off: Revisiting Modernist Abstraction Through Vernacular Craft Practices

Eirini Boukla

196-223
- PDF
Paradigmatic pictures. Radical abstract painting as a philosophy of the image

Krešimir Purgar, Igor Loinjak

224-247
- PDF