Vol. 7 No. 2 (2022): Computer in visual arts and visual culture in Italy in the information age

edited by Francesco Spampinato

Published: 2023-01-26

Full Issue

• PDF (Italiano)

Editorial

• Computer in visual arts and visual culture in Italy in the information age

  Francesco Spampinato

  I-IV

  • PDF (Italiano)

Articles

• Olivetti inspires the young. Reasoning for the exhibition Arte Programmata. Arte cinetica, opere moltiplicate, opera aperta, Milan 1962

  Maria Alicata

  1-21

  • PDF (Italiano)

• Model, Metaphor, Analogy: The Computational Imaginary in Arte Programmata’s Experimental Environments, 1964-68

  Lindsay Caplan

  22-44

  • PDF

• From Canvas to Fabric

  Fabriano Fabbri

  45-65

  • PDF (Italiano)

• Programmed images: Auro Lecci’s research into the pioneering phase of computer art

  Paola Lagonigro

  66-92

  • PDF (Italiano)

• Before the dawn, the night. Filippo Panseca, pioneer of digital art

  Valentino Catricalà

  93-113

  • PDF (Italiano)

• Computer art in the Italian critical and curatorial debate of the 1980s

  Vincenzo Di Rosa

  114-135

  • PDF (Italiano)

• Art and computer in the information age through the activities of the Leonard V-Idea Gallery in Genoa

  Leo Lecci

  136-158

  • PDF (Italiano)

• Real hyperreal virtual: echoes of cyberpunk in «Decoder» magazine

  Andrea Capriolo, Sara Molho

  159-188

  • PDF (Italiano)

• Network: feminine singular, or the 1990s of Cyberfeminism. Birth, reception in Italy, and the Agnese Trocchi’s path

  Greta Boldorini

  189-211

  • PDF (Italiano)

• From Premiata Ditta to UnDo.Net. The artist’s dematerialisation

  Roberto Pinto

  212-231

  • PDF (Italiano)

Materials

• Computer in visual arts and visual culture in Italy in the information age - Materials

  Francesco Spampinato

  M1-M18

  • PDF (Italiano)