Vol. 9 No. 1 (2024): Participation in artistic practices: methodology and experiences

Editorial

Analysing Processes: method, observation, and production

Maria Giovanna Mancini, Emanuele Rinaldo Meschini, Roberto Pinto

I-IV
- PDF (Italiano)

Articles

Oral sources for Documenting Socially Engaged Art: Applications and Theoretical Reflections from the Case Study of Contenuto Rimosso

Tanya Cecere

1-22
- PDF (Italiano)
Participatory and community archives: the case of the Archivio Sonoro di Comunità in San Cesario (LE, Italy)

Olimpia Di Domenico, Irene Panarese

23-45
- PDF (Italiano)
Archive and Participatory Practices: Reflections on the South African Contribution in the Context of Documenta 15

Francesca Zanella

46-69
- PDF (Italiano)
Pedagogy, Situations, and Experiences in Havana: The Departamento de Intervenciones Públicas Between Intervention and Participant Observation

Francesca D'Andrea

70-95
- PDF (Italiano)
What Do We Have in Common? A Venture into Taxonomy of Participatory Art Practices in the Postdigital Era

Yulia S. Tikhomirova

96-116
- PDF
Between Aesthetics and Politics in Climate Activism: A Material-Discursive Analysis of the A22 Network

Elmira Sharipova

117-141
- PDF (Italiano)
The Artwork as a Tool for Struggle: Inside and Outside Isola Art Center

Davide Da Pieve

142-161
- PDF (Italiano)
A life in common: Bodies and negotiations of public space as Common. A perspective from Dakar

Lucrezia Cippitelli

162-183
- PDF (Italiano)
Coexisting Through Play. The Experience of Stalker/Nomadic Observatory at Campo Boario

Patrizia Mania

184-199
- PDF (Italiano)
Sharing as an expanded field: the artistic practice of Aterraterra between conflicts and coexistences

Marica Albanese

200-223
- PDF (Italiano)
Thomas Hirschhorn and the Anti-Monument. A Critical Reframing

Irene Sofia Comi

224-250
- PDF (Italiano)
Dramaturgies of participation. La Trilogia della guerra: Collaborating in the Staging of the Tragic

Federico Boni

251-267
- PDF (Italiano)

Materials

Transforming the Self and the Social: An Interview with Grant Kester

Emanuele Rinaldo Meschini

M1-M75
- PDF (Italiano)
- PDF

Vol. 9 No. 1 (2024): Participation in artistic practices: methodology and experiences

Editorial

Analysing Processes: method, observation, and production

Articles

Oral sources for Documenting Socially Engaged Art: Applications and Theoretical Reflections from the Case Study of Contenuto Rimosso

Participatory and community archives: the case of the Archivio Sonoro di Comunità in San Cesario (LE, Italy)

Archive and Participatory Practices: Reflections on the South African Contribution in the Context of Documenta 15

Pedagogy, Situations, and Experiences in Havana: The Departamento de Intervenciones Públicas Between Intervention and Participant Observation

What Do We Have in Common? A Venture into Taxonomy of Participatory Art Practices in the Postdigital Era

Between Aesthetics and Politics in Climate Activism: A Material-Discursive Analysis of the A22 Network

The Artwork as a Tool for Struggle: Inside and Outside Isola Art Center

A life in common: Bodies and negotiations of public space as Common. A perspective from Dakar

Coexisting Through Play. The Experience of Stalker/Nomadic Observatory at Campo Boario

Sharing as an expanded field: the artistic practice of Aterraterra between conflicts and coexistences

Thomas Hirschhorn and the Anti-Monument. A Critical Reframing

Dramaturgies of participation. La Trilogia della guerra: Collaborating in the Staging of the Tragic

Materials

Transforming the Self and the Social: An Interview with Grant Kester

Language

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